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What’s The Difference Between an SG Standard and an SG Special? Print E-mail
 

Upon its release back in 1961 the SG Standard was one of the most radical designs the guitar world had ever seen, and it still makes a bold statement today.

The diverse list of guitar stars that have taken variations of the SG model to heart over the years includes Eric Clapton, Pete Townshend, Angus Young, Frank Zappa, Tony Iommi of Black Sabbath, Robby Krieger of The Doors, Gary Louris of The Jayhawks and many, many others. Today, Gibson USA offers the SG in two distinct varieties — the SG Standard and SG Special — siblings that are similar at their cores, but subtly different too. 

 

The SG’s beginnings

When Gibson revamped the Les Paul Standard of 1958-’60 into the Les Paul/SG of 1961 (later simply SG Standard), it introduced a wealth of features that continue to appeal to a wide range of players, long after the reintroduction of the single-cutaway model that it was intended to supercede, many of which are shared by today’s SG Special and SG Standard. The solid mahogany body was thinner and lighter than any solidbody Gibson had produced before, and it still provided a wealth of rich, warm, woody resonance, but with a little extra snap and zing to the tone — all without the back ache. Its slightly offset twin-horned double cutaways were more than just a radical adornment: The design offered better upper-fret access than players had ever experienced before, just one of the features that made SGs famously playable. Another, the fast yet comfortable neck, also survives on today’s SGs, which wear the more rounded “late ’50s” neck profile.

The SG Standard with a Heritage Cherry finish

The SG Standard with a Heritage Cherry finish

 

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Sweetwater Sound Tour Print E-mail

Review by Forum Moderator - Terry Anderson (Six String)

With the loss of my “mom and pop” shop, I admittedly haven’t been out much… but I had the very good fortune recently of taking a tour of Sweetwater Sound just outside of Fort Wayne IN. (http://www.sweetwater.com) For those of you that are not aware of Sweetwater, they are a gear center like none I have seen. They have just put up a new state of the Eco-Art building that is unbelievable.

Sweetwater Sound

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We take a look at the new Robot SG Special Ltd. Print E-mail

Review by John Abel aka Guitarweasel (Forum Administrator)
Photographs by Tim Hines

Well fellow ETSGer’s we are proud to say that Gibson has acknowledged us as an authority on SG’s and has sent us “THE ROBOT SG” for review!

First off, I want to preface this by saying I have played the Fender VG Stratocaster, and the difference is night and day. The Fender is Virtual, the Gibson is mechanical. My point? With the Gibson, you can feel the difference in tunings, the slack of the strings and the over all feel, which is completely different, a plus for Gibson IMO. Enough about the Fender and on to the Robot SG.

I’ve had it for a few days now and I have to say, being very old school I really wanted to hate this guitar……..BUT……the more I’ve played and fiddled with it, the more impressed I’ve become.

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Horny Devils Print E-mail

cover_tnIf you are a player of a certain age then the chances that an SG was the first “real” guitar you got your hands on - and if you're 17 and in a punk band you might well be playing one, too. This sculptured, high-power classic has been driving rock, pop and blues for 40 years and more. Tony bacon has the Inside story of Gibson's slimmed-down rocker...

Gibson's SG solid bodies have attracted lots of interesting players over the years from John Cipollina of Quicksilver Messenger Service to Robbie Krieger in The Doors, Brian James of The Damned to Micky Jones in Man, and of course Clapton, Harrison, Townshend, Angus Young and the rest. The other day The Osmonds even turned up with an SG Junior on a vintage TOTP clip, playing Crazy Horses. Despite all this notable action, however, the SG divides players, with some considering it little more than a Gibson also-ran. Which is odd.

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