Thanks, it’s still got its share of scrapes and scuffs. The original case is hardly more than cardboard with a thin layer of felt on the inside and Tolex on the outside. From what I’ve gathered, these were marketed as student grade guitars? The 3 layer pickguard is super thin, when I removed it to clean the body, there was an old pick that had found its way underneath! I’m pretty sure that the pickguard and control cavity plate had never been removed.That finish looks amazing for 55 years old! Must have been returned to the case when not being used instead of sitting on a stand.
Thanks, it’s still got its share of scrapes and scuffs. The original case is hardly more than cardboard with a thin layer of felt on the inside and Tolex on the outside. From what I’ve gathered, these were marketed as student grade guitars? The 3 layer pickguard is super thin, when I removed it to clean the body, there was an old pick that had found its way underneath! I’m pretty sure that the pickguard and control cavity plate had never been removed.
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Looks absolutely great! Very regal looking, tuner knobs and whammy handle really set it off. That P90 will really sing, love to hear it!!!Just finished setting up my new to me 69 after rounding up a couple of vintage parts. She’s complete and all cleaned up. Absolutely love this guitar!
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Just finished setting up my new to me 69 after rounding up a couple of vintage parts. She’s complete and all cleaned up. Absolutely love this guitar!
I've had a few Gibson and Fenders over the years where well meaning folks did just that, and the pickguard shrunk to the point where they would not go back onI would be tempted to order a 5-ply pickguard and store the original somewhere safe. But I can never leave a guitar well enough alone.
I feel like it's getting rare to see these nice old Gibson's still with the red cherry because many have faded to brown from UV light and sun exposure. Keep that beauty out of the sun and out of home UV lighting. Really like the way this one looks... congrats!
I've had a few Gibson and Fenders over the years where well meaning folks did just that, and the pickguard shrunk to the point where they would not go back onThey can shrink regardless I know, but with no screws holding things steady and maybe more air (ozone) exposure since the back is more exposed, they seem to do less well off the guitar. Besides, what are you saving unless you play with sandpaper or a nail as a pick?
Oh yea, I've definitely had plastic ones shrink too. That's why you have to be careful buying vintage like on eBay because they may not fit.I've heard of celluloid pickguards (tortoise, pearloid) shrinking, but not the ABS plastic pickguards Gibson uses for these.
Thanks for the advice, I wouldn’t have known otherwise. I ordered the MojoAxe compensated tailpiece in un-aged chrome and it made a noticeable difference. It was a tight fit onto the post and required a little finesse and a drop of machine oil but once on, it does the trick for intonation on all strings. Again, thanks for the tip! My brother in-law says it plays like butter!So, really impressed w/ your guitar! As an owner of a '22 Jr. myself, I too love them.
That said, I gotta ask about one thing on yours: It appears from the pic that you still have the old compensated bridge on it, yet you're using modern strings. I believe I'm correct in saying that you would benefit from replacing that bridge with something 'not' made for a 'wound' G string. Further, as I'm sure you already know, this is a TOTALLY non-invasive mod, and the modern version of this bridge can be purchased for under $20 off most of the on-line sources. I have done this on many old Gibson guitars, and it really does make a difference in getting better intonation. I have a few old 'original' bridges that I'm not sure have any use at all in today's world...... so maybe I'll sell 'em..... if it's worth the time and effort to do so. But, you get the point. Just a consideration. Otherwise, again, beautiful guitar! Hope you get many more good years of use out of it!!
There's no definitive height for the height of the pickups. It completely depends upon the sonic response of each individual pickup. Other factors are the height of the pole pieces, the number of copper wire winds of each pickup, the type and strength of the pickup magnets, and the gauge of the strings. Nonetheless, pickup heights are usually determined by critically listening to how each pickup sounds. When the pickups are too close to the strings, you hear what's called "wolf tones", caused by the pickup magnets exerting too much damping force on the strings. When the pickup heights are too far from the strings, the sonic output will be weak with a loss of timbre.I have Special from 66 or 69 - it's unclear while trying to find by SN. I am curious what pickups height should be for bridge and for neck pickups...