Report on Dunlop Nickel Plated Strings

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Tobacco Worm

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Alrighty then here we go with another testing of some strings that are somewhat new (well since around '05 or '06 anyway) and are different from the everyday EB stuff....

Strings: Dunlop designed and manufactured Nickle Plated Steel Electric String. Gauge: .010" to .046". Mfg # DEN1046

Test instrument: Gibson SG Melody Maker with stock 491T HB (only mod is the addition of tone pot) A single Pickup all maple body and mahogany neck of some girth. Baked maple fretboard. Very plain stop tailpiece used as a wraparound bridge.

Basically this is part of a series of tests I've been doing to determine if there are other strings that are being made that are the following:

1. Affordable, 2. Provide good tone and feel, 3. Perform well and retain a moderately decent life on the instrument in retaining tone and tuning over time. 4. Are not the average everyday strings many use often due to either local availability or the "Well, it's what everyone else gets" thinking. Going outside the box so to speak.

The strings were packaged in individual paper envelopes within a sealed plastic bag with a small packet of "SORB-IT" to keep things fresh. The windings at the ball end were tight and smooth indicating an attention to detail by the manufacture. The strings were quite long. This is something that I've noted now twice in strings made by Dunlop. Not a problem by any means and merely an observation here.

After stringing up and doing the usual tune/tug a couple of times I began to get busy. The strings are quite smooth and the wraps are extremely tight and precise. Miss Heket would like this as they are very smooth to the touch and have almost no friction to them at all. Also they are quite clean as well. In the 30 minutes of testing I had only a trace of black on the fingers. Quite a marked difference from the Rev. Willy's from the same manufacturer. (which by the way remain filthy!)

The initial testing was playing clean through a SS amp that has proven to provide great tone. Here's what I heard and was able to observe with these strings in this mode: The SG MM is noted as being quite "fussy" as to the strings used upon it. Being of primitive design with the non-compensated smooth rounded wraparound bridge, any issues that a string will produce will be found quickly with this instrument's design. Some strings will produce the "sitar effect" in as much as the B,G, and D will often emit a sitar-like overtone with a distinguished drone on this instrument. The test strings did not and retained a good working tone in the first 30 min. of my testing.

Clean tones were smooth, yet not overly loud or showed signs of buzzing. Intonation was dead perfect and required no adjustment from the prior strings of the same gauge that came off this instrument earlier. They provided a distinctive mid range presence to them, yet the plain strings were still quite bright enough to sound balanced with different chord styles used and single note playing. The test instrument is not noted for it's ability to produce great bottom to the sound, and thus there was not a great amount of depth in the lower range. Adjusting the amp's EQ to add bass resulted in better overall tone and still remained without any mud in the tone. Note: This adjustment is done, by the way, every time this instrument is played. It is a naturally bright instrument and thus is not a reflection upon the strings or form of amplification used.

Bending was a breeze and the strings, though freshly installed, kept their tune quite well. Going into a bit of overdriven stuff using the new Biyang Mouse in the Turbo mode, I was greeted with a strong tone and crunch that was actually kinda nice. Lower power chords had a respectable mid-range punch to them but didn't sound muddy or dull. Grinding out some Nugent-like licks complete with droning A's and some attempts at pinched harmonics were wonderful and I gotta admit, fun. Stranglehold was a blast!

The strings remained in tune well after the first 30 minutes and the feel of them were remarkably smooth and, dare I say, silky almost. Even when in some serious sonic distortion there was no string whistle heard at all. And did I mention that they were quite clean? Ernie Ball Slinkies always leave a goodly amount of black on me, and the Rev. Willy's continue to cause my hands to turn black from them even after more than twenty cleanings. But these Dunlop Nickle Steels were a welcome change to that battle of the black hands.

Conclusion: Despite the limited range of the test instrument with present electronics, the strings gave a decent performance of their ability to remain in tune, give decent tone and moderate volume. I get the impression that they have a strong mid-range, yet I'm sure with a different pickup here the bottom would have shown through better. They never sounded thin or "tinny" and were 100% buzz free. They feel good to the touch and for $3.00 USD a set, I find that an attractive figure. Though not as warm as pure nickle, they do have a good smooth tone and should prove to be long lasting by being plated steel as where pure nickle will wear thin faster and die quickly.


Recommendation: :yesway: Worth the bucks..... Solid performers.

I have two more sets here and Bill won't get them when he comes mooching strings! How's that for an endorsement? :naughty:

Wade
 
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Heket

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Thank you for yet another marvellous review. I'll put those strings on my "to try" list. :thumb:

I currently have Elixirs on my guitar at the moment. I don't know if I would say they are 'dead' as such but I would say that they don't have their own personality, they sound quite 'baseline'. I think they'd be a good string to test otehrs against, as a control. I've had them on for nearly 2 months now as I could not be bothered to change them yet and they still sound the same.
 

dbb

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Thank you for yet another marvellous review. I'll put those strings on my "to try" list. :thumb:

I currently have Elixirs on my guitar at the moment. I don't know if I would say they are 'dead' as such but I would say that they don't have their own personality, they sound quite 'baseline'. I think they'd be a good string to test otehrs against, as a control. I've had them on for nearly 2 months now as I could not be bothered to change them yet and they still sound the same.

I'm not sure, Heket, if I'd consider Elixers a baseline sound.

I'd think on an acoustic a standard 80/20 bronze is "standard."

But, hey, if you like them, cool!
 

Gemini75

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Thank you for yet another marvellous review. I'll put those strings on my "to try" list. :thumb:

I currently have Elixirs on my guitar at the moment. I don't know if I would say they are 'dead' as such but I would say that they don't have their own personality, they sound quite 'baseline'. I think they'd be a good string to test otehrs against, as a control. I've had them on for nearly 2 months now as I could not be bothered to change them yet and they still sound the same.

I've found that they keep that "new string" sound longer than other strings I've tried.

Have you tried DRs yet? I put some 13s on my Faded Special and absolutely love them. Great strings for doom/sludge.
 

oldrockfan

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cool review, never tried those but might give a pack a try.
 

smitty_p

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Thanks, Wade. As usual, a very thorough and descriptive review.
 

Tobacco Worm

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Thanks folks. My intent of this series of reports on strings is to explore the many manufactures that go beyond the standard EB, those of the "D's" and coated stuff that many use. Let's face it. Strings are the only 100% moving part of the guitar and thus are subject to wear and oxidization more than anything else. They are the primary source of your overall tone that is easily effected but the elements and by their very design. Thus the care of strings, and the choice of solid performing ones, should be paramount in replacing these critical items.

Strings often can be the Achilles heel of your tone and many will blindly follow the flow by using what is available locally or on sale and by what everyone else is using without a care as to what else is available to them. So if I'm able to investigate what else is out there that is affordable and provide decent tone and long life then I have succeeded. I mean after all, what else do I have to do other than sit around and listen to my arteries harden and watch the cats jump from amp to amp?:dunno:
 
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Melmord Fjordslorn

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Solid review and much appreciated. I may have to buy a pack or two. Where do you rate them in relation to the Boomers and Vintage Reissues????

Also, what do you think of Gibson's Brite Wires? I've only tried them once and cannot remember whether I liked them or not.
 

Tobacco Worm

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Well I'd have to say that these Dunlop Nickle Steels are right in there with the Boomers. Perhaps just a tad more mellow, but again just a very little. And not quite as loud, but they're real stable and not a trace of buzz. You know how you can hit a string at times and they buzz all over the place and vibrate everywhere buzzing and sounding all outta tune. These don't do that. Real stable and smooth.

Nothing came close to the Vintage DM's for their class, but of course they're gone now.... Brite Wires are ok, but they're no Boomers in my way I hear and play them. But I like how smooth these Dunlops are and they have a great mid-range tone too. Real smooth and strong.
 

Gemini75

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Wade,

Assuming you're going to be doing more in depth reviews of strings, perhaps you could compile your results into another unified thread sometime. Something like a quick reference chart perhaps.
 
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Slim Guitar

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Great reveiw - thank you
Hoping not to get lynched on this forum I have to say that I have a set of 10/46 Dunlops on my Jazzmaster. Now I do not play this guitar very much but those strings have been on that guitar for well over a year and still behave perfectly.
As you pointed out they are very smooth to the touch and they seem to stay in tune on a guitar that is renowned for going out of tune in a single song!
When my present supply of EB's give out I think that my SG (and Les Paul) will be on Dunlops as well.
 

Tobacco Worm

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Slim Guitar,

Thanks for the complement, and more still, the very vital input on the life of these strings on your Fender. To remain strung for a year and still give good performance is a feat unto itself, but to keep in tune on an instrument that is a might difficult to remain in tune is yet an even better testimony of their strength. Thus far I haven't found a down side to these strings. And as you reminded me, they are remarkably smooth. That is something I find very attractive about these strings, smooth to the touch, strong and remain in tune, and their price, at least at my source, is quite reasonable.

As with your Jazzmaster being known for going out of tune with other strings, so it is with my little SG MM turning into "a sitar" if the strings are not top notch. EBs, the many string that start with "D" ,and such turn this instrument into a droning sitar almost instantly. Most annoying. But not is the case with these Dunlop Nickel Steels. Most impressive...

Again, thank you sir for your additional information on these strings and how they effect your finicky Jazzmaster in such a positive manner. I suppose one could say that these strings "tame and control" the rowdy guitars where other strings have failed. :naughty:
 

Tobacco Worm

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Sunday old Bill came over for a bit. He brought his newly acquired mid 90 something Peavey Tele looking guitar he got out of a pawn shop. It was a mess but he did manage to get it rewired correctly and installed some good pickups. So he was in a jammin' mood to be sure when he came in. I fixed him up with an amp and I got out the SG MM and we went at it. This started at noon and stopped at 5:30 in the afternoon. I played the little MM until my entire right arm and hand were totally numb. Many times I'd sit and rub that shoulder to keep feeling in the arm during coffee breaks. Guess I'm getting better with the business of the stroke killing that arm. I hope.:fingersx: But Monday morning when I got up I felt crippled! Oh well....

But the point of all this was that after all that wailing and bending and such, when I finally put that guitar down I stopped long enough to check the tuning. All but the G were in perfect tune. The G was flat by about 2 cents. That's a pretty good testimony on how well these Dunlops hold their tune. I was astounded, and I showed Bill that and he about fell outta the chair. He was forced to tune his Peavey about 10 times during that ordeal.

The first thing he said after that was "Ya got any more of those strings? These Ernie Balls I got on this thing won't stay in tune like those you got there." I went to the shelf with my strings on it and handed him that other set of Rev. Willy's saying "Dunlop strings right here." with an innocent grin. Well they do stay in tune though right?:dunno:
I felt a little naughty.... well almost. :naughty:
 

Tobacco Worm

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Well here's an update on the Dunlop Nickel Steels.

After a recorded (written down time) set of hours on these strings, they began to show signs of becoming dull after the 45th hour and were nearly lifeless at 50 hours of playing time. Tuning was not an issue, but the overall tone was gone from them. Though nothing like the many hours I was able to get from the Dean Markley Vintage strings, the Dunlops held their tone far better than the average Ernie Ball and similar strings from D'Addario.

Conclusion: A good set of strings at a great price.

Tone: Very even over all strings and great balance from low to high. Very rich and warm strings.

Tuning: Hardly ever went out of tune even with some serious bends and hard playing. Very stable strings.

Longevity: Good, in that they held their tone for well over 40+ hours and had minimal amount of "fret cut" from constant contact at one location on the string with the fret and had minor amount of wear.

Would I buy them again? Sure. The way they tamed the SG MM's bright biting sound was well worth the price of admission alone.
 


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